This way we can combine ear-training with learning the language of jazz, as well as analyzing closely what is happening. Stan Getz & Bill Evans - Quartet w/ Stan Getz (ts), Richard Davis/Ron Carter (b) & Elvin Jones (dr) 1964Įxercises on this thread are built to give the students a deeper view on Bill Evans’ style, soloing, comping as well as an overall look into the tradition of jazz through his artistry.Įxercises are transcription-based, following with a closer look into certain details of his playing. Waltz For Debby - Trio w/ Scott LaFaro (b) & Paul Motian (dr) 1961 Portrait In Jazz - Trio w/ Scott LaFaro (b) & Paul Motian (dr) 1960 YouTube Album Link Here & Spotify Album Link Here New Jazz Conceptions - Trio w/ Teddy Kotick (b) & Paul Motian (dr) 1956

Important Discography To Start With:ĭownload full suggested discography: Bill Evans Discography.pdf (25.1 KB) He also was an important and influential sideman, most notably with Miles Davis, Canonball Adderley, George Russell and Tony Bennet. The Bill Evans Trio - Volume 2 (1962-1965): Artist Transcriptions (Piano Bass Drums) Evans, Bill on. His piano trio with Scott LaFaro (b) & Paul Motian (dr) was a turning point in a concept of jazz piano trio, where bass and drums had more freedom to collectively take part in the improvisation, not only during their solos. His career expanded over 4 decades, from bebop and hard bop through the modal and modern jazz.

This album featured Rebecca Kilgore on vocals and Gary Hobbs on drums.Download full biography: Bill Evans Biography.pdf (13.0 KB)īill Evans is one of the most influential jazz piano players of all time. This was followed by Búzios also original material and also on Axial Records. In 2008, Beach began writing lyrics in the Brazilian style, and his album Brasil Beat (2010) contained music and lyrics in Portuguese. This album was his debut as leader of a recording session and featured Beach singing Brazilian standards and playing original instrumentals in a piano trio setting. He released Letting Go in 2004 on his Axial Records label. He concentrated on the bossa nova introduced by Antonio Carlos Jobim, João Gilberto, Vinicius De Moraes, Carlos Lyra and João Donato and the later MPB styles of Sergio Mendez, Edu Lobo, Milton Nascimento, and Ivan Lins.

In 2003, Beach began to study Brazilian music and the Portuguese language. In 1997 he toured Japan with his trio and in 2001 toured European ports. He also performed with Charlie Rouse, Nat Adderley, Bud Shank, and Jimmy Cobb. In the 1990s, he settled in Portland, Oregon, and led a trio which included Mark Murphy. In 1984 he returned to the United States, worked regularly with drummer Ron Steen, and performed in groups with Joe Henderson, Bobby Hutcherson, Eddie Harris, Howard Roberts, and Nick Brignola. He lived in Amsterdam and performed in clubs such as the Bamboo Bar and Jazz Café Alto as leader of his own trio. In the early 1980s, Beach spent seven months in the European jazz scene. In 1974 he joined the group of jazz guitarist Jimmy James and worked with him for much of the decade. During the 1970s he studied privately with Marian McPartland, Warren Bernhardt, Jerome Gray, and Mary Fields. He studied music at Portland State University, Oregon State University, and Mt. An early piano teacher introduced him to the transcriptions of Dave Brubeck and he was influenced by Bill Evans and McCoy Tyner. At age 11, he was listening to records by Oscar Peterson, Sonny Rollins and Gil Evans that belonged to his older brother. His mother was a piano teacher, his grandfather a choir director, and his grandmother a church organist. Bill Beach (born 1953) is a jazz pianist, vocalist, and teacher.īeach began his study of the piano at age seven.

Bill evans trio transcriptions